The first thing you’ll notice is the large projection of Section 25 playing live. The scale creates an impact perhaps similar of that at time of filming and keeps the exhibition more accessible for those unfamiliar to their work. It also creates a pleasant change from the usually painful silence of other galleries. One of the other sections is work created by the late Larry Cassidy (Section 25 front man), three collage pieces reminiscent of pop artist Richard Hamilton, they are intriguing and well crafted.
But my personal favourite part is the collection of tour posters, leaflets and record sleeves etc, we can see the change of design fashions of the time and links to the post punk culture alongside the band’s actual evolution and rise through billings. The posters are art works in their own right and include designs by the legendary Peter Saville. I have a keen interest in typography and this is a fascinating mix to enjoy and take inspiration from. Other memorabilia is on show such as drumsticks giving a more tangible, 3D element.
Originating from Blackpool the subject brings relevance to visitors and the local area, shown in one snapshot of them in a recognisable part of the town and copy of a local fanzine. It could also provide inspiration to current artists that it does not matter where you are form you can achieve your goals.
Overall the exhibition is an intriguing eclectic mix, which I recommend for anybody interested in the arts, the band or Blackpool’s addition to culture.
By Katie Lock during work experience at the gallery.
